I’m keeping my 2024 Stella Prize reviews brief, otherwise I simply won’t get through them before the shortlist is announced on April 4.
Next on my list was Edenglassie by Melissa Lucashenko, which tells two Indigenous stories set five generations apart. One story is set at the peak of colonial unrest, when ‘saltwater people’ still outnumber the British, and the other in the present, when a woman and her centenarian grandmother, clash over the meaning of legacy. Continue reading