When I was sixteen, I visited my grandma one afternoon and, on arriving at her house, found her in tears. The last of the ‘Old Girls’ had died. The ‘Old Girls’ were her life-long friends – a group of women who had met during the War and stayed close for decades. They always referred to themselves as the ‘Old Girls’, even when they were young women. And so suddenly, my grandma was the last Old Girl. It was deeply shocking for me because, until that moment, I had never really thought about friends dying.
This is the subject of Charlotte Wood’s novel, The Weekend. Three friends in their seventies gather for a last weekend at the holiday home of their mutual friend, Sylvie, who has recently died. There’s former restaurateur Jude, organised and bossy; Wendy, an acclaimed intellectual, who continues to write; and beautiful, flighty Adele, a renowned actress whose work has dwindled to almost nothing. Over the course of the weekend, the dynamics of their relationships are revealed, and the absence of Sylvie felt.
This was something nobody talked about: how death could make you petty. And how you had to find a new arrangement among your friends, shuffling around the gap of the lost one, all of you suddenly mystified by how to be with one another. Continue reading