You might be surprised to know that I rarely get so engrossed in a book that I’m reading for hours – I think there’s an assumption that people who ‘read lots of books’ devote great rafts of time to the pursuit. I wish that were the case! In reality, my reading is done in short bursts – ten minutes at breakfast and lunch, a couple of five minute ‘power-reads’ during the day, and then half an hour before I sleep. But occasionally, I have to put everything on hold because I’ve become absolutely engrossed in a book. Sorrow and Bliss by Meg Mason was such a book.
It’s the story of Martha. Martha knows there is something wrong with her but she doesn’t know what it is. Her husband, Patrick, thinks she is fine, and that the important thing is that life carries on –
‘Martha… everything is broken and messed up, and completely fine. That is what life is. It’s only the ratios that change. Usually on their own. As soon as you think that’s it, it’s going to be like this forever, they change again.’
Patrick’s response to Martha’s struggle is borne from his love for her, rather than pig-headed denial, and much of the emotional energy in the story is directed toward the particular issue of wanting to be ‘well’ for the people we love; and the feelings of guilt and anxiety that go along with that.
I was desperate to cancel. But he bought a Lonely Planet. He had been reading it in bed every night and as ill and scared as I was, I couldn’t bear to disappoint someone whose desires were so modest they could be circled in pencil.Continue reading →
I didn’t need much convincing about the importance of feeling ‘wonder and awe’ when I started reading Julia Baird’s part-memoir-part-essay-collection, Phosphorescence. The book begins with Baird’s experience of ocean swimming. I know the feelings she describes. I know those feelings from the sea. I know those feelings every time I look up at the clouds. I know those feelings when I gaze at the muddy sweep of the Yarra.
Something happens when you dive into a world where clocks don’t tick and inboxes don’t ping. As your arms circle, swing and pull along the edge of a vast ocean, your mind wanders, and you open yourself to awe, to the experience of seeing something astonishing, unfathomable or greater than yourself.Continue reading →
I think Tegan Bennett Daylight added the subtitle ‘Reading, Love and Death’ to her memoir/essay collection, The Details, just so that I’d buy it. Obviously I did. Immediately. What’s better than reading about reading, love and death? Nothing!
Every year I look forward to the announcement of the ‘word of the year’ – some years I agree with the choice, other years they’re less meaningful to me (‘youthquake’ didn’t shake my world in 2017 but I’m pleased ‘climate emergency’ was recognised last year).
Pip Williams’s novel, The Dictionary of Lost Words, explores the development of the Oxford English Dictionary through the lens of gender, historical events, and social structure. Williams uses real and imaginary characters to tell the story, which spans the women’s suffrage movement and the beginning of the Great War. Continue reading →
One Hundred Years of Dirt by Rick Morton, Wham! George & Me by Andrew Ridgeley, and The Fixed Stars by Molly Wizenberg are wildly different books. In fact, the only thing that unites them is that they are all shelved under ‘memoir’.
Morton reflects on his traumatic childhood and the definition of ‘poverty’ in Australia; Ridgely also recalls his childhood, however his included a stable home, music lessons, and his friendship with a school mate who would eventually be known as George Michael; and Wizenberg focuses on the disintegration of her marriage after she realises that her sexuality is ‘fluid’. Continue reading →