I need a special rating for books that I’m glad I read but didn’t particularly enjoy. Milkman by Anna Burns is such a book.
There’s much to admire in Milkman. Burns’s unwavering and meticulous stream-of-consciousness account of the Troubles is told through the eyes of our unnamed narrator, an eighteen-year-old girl who comes from a large family impacted by political violence. Although the narrator is trying to distance herself from the turmoil that surrounds her, she is drawn in after being accused of having an affair with a married man known as ‘milkman’ (this is despite the narrator having a ‘maybe-boyfriend’). In fact, the milkman is stalking the narrator, and it is soon revealed that he is a paramilitary figure who holds great power in the community.
As for the community, and my affair with the milkman according to this community, I was now well in it, that being the case whether I was or not. It was put about I had regular engagements with him, rendezvous, intimate ‘dot dot dots’ at various ‘dot dot dot’ places.Continue reading →
Hmmm… I haven’t pushed much grief-lit lately… So let me to introduce you to Kathleen MacMahon’s superb novel, Nothing But Blue Sky.
David is taking his first solo holiday since his wife, Mary Rose, died in tragic circumstances. Against advice of his friends, David decides to return to Aiguaclara, a small Spanish coastal town where he and Mary Rose holidayed for twenty years.
It was the place where we mended ourselves, marinating gently in a brew of salt water and sunshine. In Aiguaclara, we paused to take stock of our lives, coming to terms with the passing of another year and making plans for the one to come.Continue reading →
I’ve struggled to write reviews for much of this year. I blame working from home. After a day of work, I have no desire to stay sitting at my desk. And so, I’ll continue to keep a record of what I’ve read with short reviews (these are very, very short). Continue reading →
Much of what I loved about Sara Baume’s second book (A Line Made By Walking) – namely startling descriptions of nature and being completely immersed in a character’s perspective, no matter how uncomfortable – is evident in her debut, Spill Simmer Falter Wither.
In summary, it’s the story of a loner, Ray, aged fifty-seven, ‘too old for starting over, too young for giving up’, who adopts a mongrel he names One Eye. Ray and One Eye are similar in many ways – both are accustomed to being alone; and both know what it is to be unloved and overlooked.
Sometimes I see the sadness in you, the same sadness that’s in me. It’s in the way you sigh and stare and hang your head. It’s in the way you never wholly let your guard down and take the world I’ve given you for granted. My sadness isn’t a way I feel but a thing trapped inside the walls of my flesh, like a smog. It takes the sheen off everything. It rolls the world in soot. It saps the power from my limbs and presses my back into a stoop.Continue reading →
Marianne had the sense that her real life was happening somewhere very far away, happening without her, and she didn’t know if she would ever find out where it was and become part of it.Continue reading →
Almost Love, the latest from Louise O’Neill, examines an all-too-familiar trope – the attraction of the ‘bad boy’.
Twenty-four-year-old Sarah falls for Matthew, a successful property developer in his forties. Matthew has an ex-wife and a teenage son. His ‘relationship’ with Sarah is limited to hurried meetings in a nondescript Dublin hotel room. Despite their sexual relationship, there is no intimacy. Matthew insists on keeping their meetings a secret; responds sporadically to Sarah’s text messages; and shuts down Sarah’s attempts to make plans.
And Sarah does what most women have either done or witnessed in a female friend – she waits by the phone. She goes as soon as she is beckoned. She accepts being treated like trash. She begs and then apologises… It’s the familiarity of this destructive behaviour that makes Almost Love compelling reading.
Did all women take half-truths and implied promises and side glances and smiles and weave them together to create a narrative, the way she had done?Continue reading →