The cover of Laura & Emma by Kate Greathead suggests a story that is gentle and relatively undemanding but beyond the pastels is a thoughtful examination of the relationships between mothers and daughters, complete with the funny and loving moments, the frustrations and complexities, and the sadnesses.
It begins in 1980, New York City, with Laura who is Park Avenue born and bred. Laura considers herself progressive – she is deeply concerned about the environment; lives in Harlem (well, on the border); uses the subway and shops locally. Yet she has a cushy job via the family trust and her mortgage is paid for by her parents – the slightly eccentric Bibs and the formidable Doug.
After an out-of-character casual encounter, Laura discovers she is pregnant and decides to keep the baby. Bibs falsely informs her society friends that the baby is fathered by a Swedish sperm donor although she’s not opposed to Laura’s single status, saying of marriage, “It doesn’t matter who you marry, one day you’ll be sitting across the table from him thinking, Anything would be better than this.” Continue reading