I wish I could spend a summer on a remote Norwegian island, waiting for ducks to arrive.
James Rebanks describes the months he spent with Anna, a ‘duck woman’ in his memoir, The Place of Tides.
I use ‘memoir’ lightly because it’s also a biography of sorts, about Anna and her work to reestablish the populations of wild Eider ducks and the centuries-old tradition of gathering their down –
What had once been mocked as backwards was now admired and respected.
Although Rebanks clearly states that it is neither biography or history (because he hasn’t supplied sources and footnotes), the book reads as a mixture of his own reflections, observations of Anna and her craft, and an account of the very personal history attached to the islands and the ducks.
There are many reasons why I enjoyed this book. Firstly, the writing about the landscape – the tides, the seaweed drying on rocks, the summer light – was beautifully spare, yet incredibly evocative. The words were like a lullaby: I could close my eyes, imagining waves washing over rocky shorelines, ducks bobbing on the water, and kelp swaying with the current.
The clock on the wall had stopped and no one cared. We were now governed by the rain, the clouds passing over, whatever the seabirds were doing, and the endlessly changing light. But above all it was the tides that dominated our waking hours. The island breathed beneath us, giant sighing breaths: in, and the water fell away, out, and the water rushed back.
Secondly, I love a book that has me deep-diving into something I previously knew nothing about. The long history of the care of Eider ducks, and how that has been threatened (you might immediately think climate change, however, their decline began with WWII when the ducks became a food source for German soldiers) was fascinating. Related, the bits about the role of duck-women and their duck-stations during the Resistance was equally interesting.
At the beginning of the Occupation, the Germans had noticed the thousands of half-tame ducks swimming around the islands. They didn’t care what kind of ducks they were. They didn’t care about eiderdown. And they didn’t care what the locals said about them. To the Germans, a duck was a duck. The eiders were chalked up as food supplies for the Third Reich.
After the War, Eider populations faced other threats, notably the introduction of mink, which were originally caged and farmed for their fur, but eventually escaped and bred on the individual islands. Mink can swim for miles and have no natural predators, so the ducks stood no chance.
She said an ancient tug-of-war took place here each day between those that would bring their young into the world, and those that killed them to live. The whole sea estate was like a watery Serengeti.
The complex history associated with ownership (or rather, guardianship) of the islands also had me hitting the internet.
This – the rocky plateau we were pulling towards – was one duck station. Beyond it lay another, the one we were travelling to. The ocean and islands were, she said, divided into a series of vær like these, each one a little cluster of islets. Ingrid tried to find an English phrase for this and struggled. We settled on ‘sea estate’, but Ingrid said there was something that wasn’t quite covered by those English words. The Norwegian word emphasized that these were places that things could not be taken from without permission and, in a country where roaming and harvesting from the wild is usually allowed, this was an important distinction.
Lastly, all of the detail associated with the nesting of the ducks (the duck-people build them individual shelters) and the harvesting of the down demonstrated the incredible symbiotic relationship the ducks and humans have. This beautiful documentary describes the duck islands.
There are clear messages that Rebank wants the reader to take away, all related to conclusions about his own sense of purpose and the meaningfulness of his experience –
A story is rarely as simple as it seems. We are all a bundle of virtues and vices, strengths and flaws, hopes and fears.
We cannot be what we are and what we aspire to be at the same time, something in us has to die for something else to be born.
All very true but what will stay with me is the exquisite sense of place.
I was learning that our dreams of islands as places of freedom and escape are fanciful – an island is defined by constraints and limits.
And I think there is safety to be found in ‘constraints and limits’.
4/5
She served us folded flatbreads – soft, pancake-like things layered with butter, sugar, and cinnamon – which she called lefse.

Sounds fascinating. I’m not one for nature writing as I often think it’s too flowery, but this sounds like he’s got the prose style just right.
I suspect you would be fine with this one. Rebanks’ writing is evocative, and in many ways down to earth: ‘flowery’ never describes his writing. Kate’s review is spot on.
Back in the day when I was a commissioning editor on a fieldsports/conservation magazine, I tried to get him to pen something for us, but it was just as his first book was becoming a sensation and he couldn’t find the time. Pity.
A pity indeed. But the farming had to go on, I guess.
Roy Jacobsen’s The Unseen (fiction) is set on a tiny island in Norway where just one family lives, and some of it has to do with their daily life, including taking care of the eider ducks and harvesting their down. It is set a bit before WW II and goes on in a trilogy to cover the war. You might like it.
Oops! I just looked back at my review, and it is set before WW I, not II. Here’s the link if you’re interested: https://whatmeread.com/2023/02/08/review-2116-the-unseen/
Well, I’m very interested about that Kay – thanks!
You’re welcome!
I like hybrid biography-memoirs and I love good nature writing. This sounds great. Also sounds like a book for my brother. It’s in my list for his birthday.
When I read a review of The Place of Tides earlier this year, it immediately made me think of the novel Seascraper by Benjamin Wood. Beautiful sense of place, a dying tradition and a tender coming of age story.
I actually read Seascraper within a few weeks of finishing The Place of Tides and they do go together beautifully.
This was wonderful, wasn’t it. Interesting about Seascraper, maybe a fiction/nonfiction pair for Nonfiction November!!