
01. I’m officially on holidays – thrilling given that in the past few years I’ve worked up until 5pm on Christmas Eve! And because I haven’t had a break from work since May. (image above) Continue reading

01. I’m officially on holidays – thrilling given that in the past few years I’ve worked up until 5pm on Christmas Eve! And because I haven’t had a break from work since May. (image above) Continue reading

It’s that time of year when I have to catch up on reviews (one of these books I read back in April!) – Continue reading

Sample Saturday is when I wade through the eleventy billion samples I have downloaded on my Kindle. I’m slowly chipping away and deciding whether it’s buy or bye. This week, all three came via Print Mag’s 2024 100 Best Book Covers article. Continue reading

A Field Guide to the North American Family by Garth Risk Hallberg Continue reading
There is so much to Elin Cullhed’s Euphoria, I hardly know where to begin. Perhaps an appropriate starting point is that I found this novel wholly absorbing.
Euphoria is an account of Sylvia Plath’s final year, marked by significant events – the birth of her second child, Nick; the publication of her first novel, The Bell Jar; and the unraveling of her marriage to Ted Hughes.
It’s gutsy, isn’t it, to write a novel about the pleasure and pain of love from the first-person perspective of Plath, when Plath herself offered exactly that through her writing? And yet, Cullhed achieves something special here. As Plath ‘describes’ her domestic life (baking, gardening, beekeeping, entertaining) with Hughes and the children on their property in Devon, the reader is given access to her increasingly anguished thoughts – pain, uncertainty and doubt invade even the most ordinary moments. Continue reading

01. Bottomless-spicy-pineapple-margs-lunch and views across the city? Dangerous! Continue reading

All year I show restraint and then November happens – Nonfiction November, Novella November, and German Literature Month – it means my TBR stack GROWS. Continue reading
I almost held my review of Bernhard Schlink’s latest English translation, The Granddaughter, until I’d finished the book I’m currently reading for #GermanLitMonth – The Bureau of Past Management by Iris Hanika – because both books deal with atonement. How do we live with, and understand the sins of the past? Those questions apply in lots of circumstances but in both books, they are asked about Germany, the Holocaust, and the complexities of pride.
I have mentioned numerous times on this blog, my fascination with how Germans understand and own their country’s history; how they demonstrate their shame; how their history reverberates, and what this means for the generations of people who were not alive during WWII. Continue reading

Sample Saturday is when I wade through the eleventy billion samples I have downloaded on my Kindle. I’m slowly chipping away and deciding whether it’s buy or bye. Continue reading
There’s a word for everything in German – it’s because you can simply describe something and join up all the words. Or, you think about a particular feeling or set of circumstances and attribute it to something tangible to make a word. Examples include Kummerspeck, Frühlingsgefühle, and Geborgenheit.
I mention the interesting words because one of my favourites (as a word and a concept) is Kunstkammer, which translates as a ‘cabinet of curiosities’. These cabinets have a long history, and were essentially collections of ‘curious items from home or abroad’, usually with a nature focus (obviously collecting bits of nature for personal viewing is frowned upon these days!). When I lived in Germany, my host family had a small Kunstkammer in their house, but I didn’t come across another one until I met a woman twenty years ago who had been a vet – her cabinet filled a whole wall and was carefully curated – it was amazing to look at. Continue reading