Women’s Prize Listens

More 2025 Women’s Prize for Fiction reading – but have listened to audios (the wait-list on hard copies at the library was impossibly long for all of them).

The Persians by Sanam Mahloudji

The downside of this story about cashed-up Iranians in America was the seemingly over-the-top and extremely shallow characters. Could anyone be that blindly entitled?! But on the plus side, listening to the audio version meant different voices for the various perspectives – sweet relief!

What emerges (through the tiresome bits about shopping trips and skiing holidays) was a glimpse of the paths people took during the Iranian Revolution, and how inter-generational trauma reverberates. It made me think about the possibility of not seeing or judging inter-generational trauma in the same way when a person is cushioned by designer clothing, luxury holidays and a trust fund – do these trappings make it easier to bear or are they a gilded cage?

3/5

Nesting by Roisín O’Donnell

The thing about listening to Irish audios is the narrator… I’d basically listen to anything read in an Irish accent. It’s just so comforting. Although a ‘comforting’ story, this is not. Nesting tells of women in abusive relationships – and that abuse looks different for each woman. The political and social backdrop of the time added a layer – it’s 2018, when Ireland’s abortion laws were being debated and legal divorce was still relatively new (and a possibility for a younger generation of women). O’Donnell deftly weaves in the stigma and opinion attached to what the women at the centre of the story choose to do.

The story lost a little of its appeal toward the end, when a cat-and-mouse chase takes place – I could have done without the obviousness of this, given that O’Donnell had perserved with the slow, terrifying and relentless grind of coercive control.

3.5/5

Fundamentally by Nussaibah Younis

I really, really wanted to like this story about a British woman running a deradicalisation program for ISIS brides. I’d heard from other readers that it was really funny, but the humour didn’t land for me, and I couldn’t trust in the main character, Nadia’s, extremely fast-forming relationships – they simply didn’t ring true.

I have no doubt that the portrayal of United Nations politics (a not-what-you-know-but-who-you-know situation, if you want anything done) is accurate but Nadia’s approach to her work irritated me – she didn’t seem to take it seriously, and was preoccupied with individuals in a self-serving way, rather than the broader goal. Without spoilers, I did appreciate the way particular characters challenged Nadia’s ‘do-gooder’ approach, which left me wondering about how realistic it is to think you can change someone’s way of thinking.

2.5/5

What will win? I declared my winner when the longlist was first announced – All Fours by Miranda July is one of the most exciting and thought-provoking novels I’ve read in a long time. As it turns out, I’ve now read five of the six shortlisted books (I think Nesting should have been there!). I reckon the other possibility is The Safekeep by Yael Van Der Wouden, but I might be feeling particularly fond of that after hearing Yael speak so wonderfully at the Melbourne Writers Festival recently.

12 responses

  1. I’m reading Good Girl now and have The Persians to pick up from the library. I’m feeling unenthusiastic this year as I didn’t think it was a great one from Strout, I couldn’t get through Fundamentally, and I wasn’t as enthusiastic about The Safekeep as many have been. All Fours was fab but somehow I can’t see it winning.

  2. I really enjoyed The Persians – I liked the undermining of the idea that America / the West is always better that you often get in narratives of immigration. I had reservations about Fundamentally because of the grinding gear change when things get serious, but I also loved her mum and the way that she was challenged.

  3. I’ve just got All Fours from the library, but I can’t read a thing while I have a mean chest infection with Bonus Brain Fog. Ten minutes reading round my favourite blogs is enough brain food for the day, then it’s back to watching rubbish on TV.
    I couldn’t stand The Persians, but it’s interesting what you say about making observations about intergenerational trauma might depend on the lens we see it through.

    • I’ll be interested to hear your take on All Fours – it’s a book that seems to be dividing people (it’s either ‘That was incredible!’ OR ‘That was ridiculous!’).
      Hope you feel better soon 🙂

      • Thanks, Kate. I did read a page or two before succumbing, and couldn’t quite see the point. I’ll give it another try before giving upon it,

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