Scaffolding by Lauren Elkin

There are many, many layers to Scaffolding by Lauren Elkin which means either a very long review as I wind my way through the story’s complexities OR a very short review, of the ‘just read it’ variety. I’ll err on the short side, with lots of quotes to show off Elkin’s thoughtful prose.

It’s the story of a Parisian apartment, and the two couples that lived there – in 2019, it’s home to Anna, a psychoanalyst, who is processing a recent miscarriage. Her husband, David, has taken a job in London, and returns to Paris every other weekend. She spends her days obsessing over renovating the kitchen, a welcome distraction from her grief.
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Evenings and Weekends by Oisín McKenna

I was lured by the cover of Oisín McKenna’s debut novel, Evenings and Weekends. And the comparisons to Sally Rooney and Zadie Smith. And the fact that it’s by an Irish author, so I was hoping for some Irish-misery-porn.

The story focuses on a group of friends, over a hot summer’s weekend in London. There’s a party planned at a share house, which sets the stage for the drama. Continue reading

The Book of George by Kate Greathead

The Book of George by Kate Greathead is absolutely focused on the life of a guy called George, but the most interesting character was George’s mother. Or more specifically, the bit that had me intrigued, was George’s relationship with his mother, Ellen – fraught, inadequate, over-bearing, intense… you could throw any number of words at it, and they’d probably fit.

The story begins with George as a young boy –

George struggled to grasp the nuances of his mother’s contempt, but it was the beginning of his awareness of a problem in his parents’ marriage that had to do with his father’s love of expensive clothes. Continue reading

Literary Wives Club: Euphoria by Elin Cullhed

There is so much to Elin Cullhed’s Euphoria, I hardly know where to begin. Perhaps an appropriate starting point is that I found this novel wholly absorbing.

Euphoria is an account of Sylvia Plath’s final year, marked by significant events – the birth of her second child, Nick; the publication of her first novel, The Bell Jar; and the unraveling of her marriage to Ted Hughes.

It’s gutsy, isn’t it, to write a novel about the pleasure and pain of love from the first-person perspective of Plath, when Plath herself offered exactly that through her writing? And yet, Cullhed achieves something special here. As Plath ‘describes’ her domestic life (baking, gardening, beekeeping, entertaining) with Hughes and the children on their property in Devon, the reader is given access to her increasingly anguished thoughts – pain, uncertainty and doubt invade even the most ordinary moments. Continue reading