Almost Love, the latest from Louise O’Neill, examines an all-too-familiar trope – the attraction of the ‘bad boy’.
Twenty-four-year-old Sarah falls for Matthew, a successful property developer in his forties. Matthew has an ex-wife and a teenage son. His ‘relationship’ with Sarah is limited to hurried meetings in a nondescript Dublin hotel room. Despite their sexual relationship, there is no intimacy. Matthew insists on keeping their meetings a secret; responds sporadically to Sarah’s text messages; and shuts down Sarah’s attempts to make plans.
And Sarah does what most women have either done or witnessed in a female friend – she waits by the phone. She goes as soon as she is beckoned. She accepts being treated like trash. She begs and then apologises… It’s the familiarity of this destructive behaviour that makes Almost Love compelling reading.
Did all women take half-truths and implied promises and side glances and smiles and weave them together to create a narrative, the way she had done? Continue reading