The ‘Sliding Doors’ concept is not particularly new yet it takes a certain skill to pull off convincing alternative stories for the same set of characters. Carol Anshaw does it beautifully in Aquamarine, a story that begins with Olympic swimmer Jesse Austin, seduced and consequently edged out for a gold medal by her Australian rival, Marty.
“It won’t take a scaling down of expectation to accept this defeat, but rather a substantial reconstruction of her notion of herself. And she must accomplish this in the next few minutes, before she’s out of the pool and dried off and sweatsuited and ushered smiling (the smiling is imperative, imperatively expected) up onto the staggered pedestals, positioned slightly lower than Marty.” Continue reading